Lightworks and back, and - for Mac OS only - ProRes Encoding. Support for transferring Flow sequences, Clips and Subclips from Flow to Making three previous effects - HSV, RGB, Curves - accessible from aĮlsewhere, there's XML import from Final Cut Pro, drag and drop There are new, smarter Colour Correction effects, easier to use, and Identifies interlaced or progressive material, adjusts your settingsĪccordingly, and improves playback performance overall. Whatever you're importing, the new Play Engine automatically Version 12 adds a new content manager, enabling you to handle all your Clips, Edits, Bins and Searches from a single interface. Video-editing enthusiasts – along with professionals – will, however,įind it’s a powerful tool to add to their armoury, particularly now it’s To quickly and easily edit a selection of video footage together. The power of the program is indisputable, but despite an attractiveįront end, it’s not really a tool for the casual user who simply wishes Real-time by utilising the power of your graphics chip. Secondary colour correction alongside effects that can be applied in Need to apply some specialĮffects? There’s multicam editing, stereoscopic support, multiple and Media management and fast, precise trimming. Lightworks 12 offers a complete set of video-editing tools, including ProRes, Avid DNxHD, AVC-Intra, DVCPRO HD, RED R3D, DPX, AVCHD (with AC3Īudio), H.264, XDCAM EX / HD 422 and more.
The feature list starts with support for a wide range of containers: Source package, free for anyone to use. (There's a Pro version with extras, but this build provides all the key features you need), Used on films such as Pulp Fiction and Shutter Island – is an open
Wrong: Lightworks – which ticks all the previous boxes, having been Your software choice would have been associated with films that won The software that’s espoused by the professionals.
If you really want to make a splash editing movies, you’d ideally use
0 kommentar(er)
